British singer Lianne La Havas seeks big love in US

* Releases debut album "Is Your Love Big Enough"

* Follows Adele, Amy Winehouse, Joss Stone into US

* Stevie Wonder, Bon Iver are big fans of La Havas

LOS ANGELES, Aug 16 (Reuters) - Lianne La Havas sings from

the heart, admires people like Billie Holiday and Ella

Fitzgerald, and may be the latest young songstress to emerge in

a steady stream of British talent invading the U.S. music scene.

She counts stars like Stevie Wonder as fans, and with her

debut album "Is Your Love Big Enough?" out this month in the

United States, La Havas follows the footsteps of singers such as

Grammy-winning Adele, soul singer Joss Stone and the late Amy

Winehouse.

"There have been some wonderful UK singers of late, which is

great for me, because they just sound to me like women who

really enjoy singing and I'd like to think I'm one of those

women as well," La Havas told Reuters.

The 22-year-old singer from South London, who will tour

North America with Grammy winner John Legend this fall, dropped

out of art school four years ago to pursue her music career,

collaborating with friends at London performing arts college The

Brit School (graduates include Adele, Winehouse and Leona

Lewis), and providing backing vocals for singer Paloma Faith.

Born to a Greek father and Jamaican mother, La Havas

credited her multicultural upbringing for her eclectic musical

influences, which range from Mary J. Blige and Jill Scott to

Louis Armstrong and Ella Fitzgerald.

"I'm very influenced by the old blues and generally just

singing from your heart," La Havas said. "Singers like Billie

Holiday sang as if they had been through (life), so I'm really

influenced by that and I wanted to inject that into the record."

La Havas' soulful sound has already caught the attention of

some well-established names in the U.S. music industry.

Grammy-winning folk artist Justin Vernon of Bon Iver asked

La Havas to join the band on their North American tour this

year, and Motown legend Stevie Wonder came to see the singer at

her Los Angeles gig in May, which left La Havas starstruck.

"(Wonder) has influenced generations of people and has

always made really honest, uplifting music. I felt really

overwhelmed while meeting him, I cried a bit, being next to him

was just too much ... I will never ever forget it," she said.

FUSING GENRES

"Is Your Love Big Enough?" documents the singer growing up

from her late teens into her early 20s. La Havas described the

album as "a collection of songs written in response to various

situations" in her life.

"I've used the songs on the album to demonstrate my head and

heart over the last three years," the soft-spoken singer said.

While jazz and soul have a core element in La Havas' debut

album, the singer's sounds range from upbeat funk on title track

"Is Your Love Big Enough?" to melancholy pop on piano ballad

"Gone" and an acoustic guitar-driven duet with Willy Mason on

"No Room For Doubt" -- La Havas' favorite track on the record.

"There seems to be a mish mash of things influencing artists

these days and their music sounds like you can't put your finger

on it. I think all music feeds other music and then manifests

itself in whatever way it does," La Havas said, calling her own

sound "soul music, but not in the traditional sense."

Indeed, La Havas is part of a new generation of British

artists unafraid to experiment with fusing genres including the

likes of Ed Sheeran, who rose through the ranks of the UK hip

hop scene by incorporating urban sounds into his folk pop music.

"Is Your Love Big Enough?" has been received well by

critics, earning a score of 73 out of 100 on review aggregator

website Metacritic.com, and has already achieved success in the

UK, where it was released last month, ranking No. 4 on the

official album chart.

BBC's Chris Lo called the record "a strong and skilfully

delivered debut," while Maddy Costa at The Guardian praised the

singer's "raw, repetitive" lyrics in songs like "Lost & Found,"

giving the album three out of five stars.

Jon Pareles at The New York Times praised the album's

"low-fi core," and La Havas' "intimacy of a voice that hints at

Alicia Keys, Amy Winehouse and Erykah Badu but is fully her

own." Rolling Stone's Judy Rosen gave the album three and a half

stars out of five, saying "the cool, pretty, expertly arranged

music washes over you like a healing wave."

(Reporting by Piya Sinha-Roy; Editing by Bob Tourtellotte, Gary

Hill)